Robert Bowen
Dr. Robert Bowen is a Professor of Music at Mt. San Antonio College, where he teaches and manages
                                    the music theory and musicianship course offerings. He is also a composer who specializes
                                    in solo and chamber music for the guitar.
                              
                              Robert's compositions have earned him awards from ASCAP, the Latin American Music
                                    Center of Indiana University, and Metropolitan Theaters, including two Morton Gould
                                    Young Composer Awards. These compositions have been performed in concert and in radio
                                    broadcasts in California, the Midwest, throughout the Northeast and abroad by ensembles
                                    such as the Minneapolis Guitar Quartet and the Relâche Ensemble of Philadelphia.
                              
                              At Mt. SAC, Robert teaches and directs the department's "core sequence," a series
                                          of five pairs of co-requisite courses designed to develop each student's skills, fluency,
                                          and comprehension in the language of music. Robert maintains these courses, both to
                                          insure C-ID compliance as well as to meet the changing needs of Mt. SAC's music students,
                                          a mixture of aspiring performers, educators, composers, songwriters, music therapists,
                                          producers, and audio engineers. For his efforts in theory and musicianship instruction,
                                          Robert received the President's Award for Excellence and Innovation in Teaching and
                                          Learning.
                              
                              Robert holds degrees from the University of California at Santa Barbara (B.A., M.A)
                                          and Princeton University (M.F.A., Ph.D.). He studied composition with Steven Mackey,
                                          William Kraft, and Margaret Mayer; theory with Scott Burnham, Pieter van den Toorn,
                                          and Lee Rothfarb; and piano improvisation with Larry Karush and Rick Helzer. His dissertation
                                          explores narrative implications of large-scale repetition and recurrence. He is a
                                          member of ASCAP and the MACCC.
                              
                              
